Be the hero, baby. How to turn forgotten footage into new content.

Before you spend a single dollar shooting anything new, go open the drives. All of them. The shared server, the old agency handoffs, the founder's camera roll, the folder ominously named FINAL_v7_USE_THIS, the earned media somebody captured of your CEO on a stage in 2019. I will bet you real money there's usable content sitting in there that you already paid for and haven’t used.

Every brand I've worked with is hoarding content without meaning to.

It just happens. Stuff gets made for one purpose, used once, and left to rot in a folder. I get that no one wants to be the person who is digging through hard drives or project files but you could be the hero if you do! Imagine the glory!

Start with appearances. That's the biggest pile and the one nobody thinks of as content at all. Honestly the PR girlies need to be your BFFs if you are an SMM. When your CEO goes on a podcast, somebody else booked the studio, set the lights, ran the mics, recorded two hours in broadcast quality, and edited the whole thing, then handed it to you for free. That's a full day of studio production you didn't pay for, starring your most senior person. Usually it just gets logged as a "PR hit," screenshotted for the coverage report, and never makes its way to social. So the most credible, most expensive-looking footage just quietly dies in an inbox.

That footage is worth more than almost anything you'd shoot yourself. A two-hour podcast is thirty clips. A panel gives you something you can't manufacture in-house: borrowed credibility. Someone else chose to put your founder on that stage. A good host also pulls out better stories than your own team usually can, and once people forget they're making "content," they finally say something worth clipping.

So treat every booking like a shoot.

Here is what we do: 

  • Ask for the raw file when you book it. Most shows will just hand it over if you ask up front.

  • Bring a product (or prop). Get the host or CEO holding the product and reacting to it on camera. If not the product, IDK give them a giant cowboy hat, it doesn't matter you just want a visual interrupt. 

  • Feed hooks ahead of time. Think through a few hooks before the taping and hand them to the PR team, so you've got a real shot at some tight, clippable reads instead of praying one happens on its own.

  • Send someone to the room. One person grabbing verticals and a little BTS just to sweeten the output.  

Result

  • Walk out with twenty banger clips

  • Version them as carousels

  • Version again as split screen quote cards

Run them all or pick the best and put the rest in trial reels, and thank me later. 

Then go raid everywhere else.

Five places I'd check first, and what to look for in each:

  • The full footage from old shoots. Hunt for the outtakes and the loose takes that felt too unpolished then, and read as human now.

  • Sales and support. Recorded demos or customer calls. The question your buyers actually ask is are great hooks to open a video. You can feed these into an AI engine to get the transcripts, then have Claude find you the best moments to clip. Or use Opus. 

  • Event and launch footage. Keynotes, booth clips, the founder off-script.

  • Tags and UGC. What customers already made about you. Free, credible, and you didn't have to cast it. This is probably obvi, but I will leave it here just in case. 

Please don’t dump the whole archive on people like it's a landfill. PLEASE. I HAVE BEEN THERE.  Free is not a reason to post something. The raw material still has to be good, with potential reframes that are interesting and valuable. Clipping is not an export button, and requires creativity. Put a hook on the front, make sure it's specific and interesting. A boring meeting recording talking about the brand will  still be boring. 

So before the next big beautiful shoot, go check the drives, dude!

Look through the appearances, the events, and the old shoots with fresh eyes, and tag everything by what it could become. You could find a month of content in a day without asking for more budget or producing anything new. Do that, and yes, you will be the team hero. The content is probably already there. Go find it.

Previous
Previous

Hard Seltzer isn’t the Only Gift From the 90s.